“People love what’s next,” says Ricky Gervais’ fussy museum manager, explaining why many of the beloved old-fashioned exhibits at the American Museum of Natural History are being shipped off to storage at the Smithsonian Institute, to be replaced by holograms. Even Ben Stiller’s Larry Daley, the former night guard at the museum, seems to have moved on. He’s now the infomercial king, hawking such wares as the Glow in the Dark Torch in excruciatingly stilted exchanges with George Foreman